Basel Social Club
|
June 14 - 20
|
Basel Social Club | June 14 - 20 |
Basel Social Club returns for its fifth edition, transforming a vacant multi-story office building in central Basel into a temporary social stage for art during Art Basel week. This year’s edition, titled “Office” reconsiders the venue not as a site of production, but as a space for reflection. Once a symbol of efficiency and growth, the office today reflects shifting realities shaped by digitalization, remote work, and artificial intelligence. Basel Social Club engages this condition through exhibitions, performances, music, gastronomy, and informal encounters that explore questions of labor, time, productivity, and rest.
This year we propose a two-person presentation that reads the office as an atmospheric machine: a place that regulates light, attention, posture, tempo - the soft coercions of productivity. Our project builds on the fair’s vertical journey, entering through the underground garage before rising into office levels - by aligning two conflicting vantage points: the basement and the rooftop.
London’s financial skyline is brought into Basel as weather, sound and rhythm; meanwhile the office interior is rendered uncanny and strangely tender. Together, the works ask: “What remains of “work” when the office is hollowed out; when its infrastructure persists but its purpose slips?”
Available Works
110 Bishopsgate
Composite of paper and cardboard pulp, stainless steel, PLA, polyurethane acoustic foam, light sensor, speaker, single-board computer, power supply unit
44 x 15 x 32.5 cm
2025
£2,800 GBP | ₣3,000 CHF | €3,300 EUR
Excludes taxesSound plays a central role in the installation. Recordings captured from the rooftops of the city’s tallest buildings are diffused through four wall-mounted sound sculptures: cylindrical forms made of paper and cardboard pulp composite. Each contains a small embedded speaker placed inside modular stacked volumes, whose proportions mirror the height and footprint of their corresponding buildings, shaping the sound’s resonance and tonal character within the enclosures. Together they create a shifting polyphonic soundscape that moves in dialogue with the room’s changing light, driven by the central hanging sculpture above in combination with shifting daylight. Their volumes rise and fall with illumination patterns, weaving a sonic topography that parallels the visual rhythms above.
22 Bishopsgate
Composite of paper and cardboard pulp, stainless steel, PLA, polyurethane acoustic foam, light sensor, speaker, single-board computer, power supply unit
58 x 15 x 32.5 cm
2025
£2,800 GBP | ₣3,000 CHF | €3,300 EUR
Excludes taxesSound plays a central role in the installation. Recordings captured from the rooftops of the city’s tallest buildings are diffused through four wall-mounted sound sculptures: cylindrical forms made of paper and cardboard pulp composite. Each contains a small embedded speaker placed inside modular stacked volumes, whose proportions mirror the height and footprint of their corresponding buildings, shaping the sound’s resonance and tonal character within the enclosures. Together they create a shifting polyphonic soundscape that moves in dialogue with the room’s changing light, driven by the central hanging sculpture above in combination with shifting daylight. Their volumes rise and fall with illumination patterns, weaving a sonic topography that parallels the visual rhythms above.
32 London Bridge St
Composite of paper and cardboard pulp, stainless steel, PLA, polyurethane acoustic foam, light sensor, speaker, single-board computer, power supply unit
54 x 15 x 32.5 cm
2025
£2,800 GBP | ₣3,000 CHF | €3,300 EUR
Excludes taxesSound plays a central role in the installation. Recordings captured from the rooftops of the city’s tallest buildings are diffused through four wall-mounted sound sculptures: cylindrical forms made of paper and cardboard pulp composite. Each contains a small embedded speaker placed inside modular stacked volumes, whose proportions mirror the height and footprint of their corresponding buildings, shaping the sound’s resonance and tonal character within the enclosures. Together they create a shifting polyphonic soundscape that moves in dialogue with the room’s changing light, driven by the central hanging sculpture above in combination with shifting daylight. Their volumes rise and fall with illumination patterns, weaving a sonic topography that parallels the visual rhythms above.
Related Works
Oil on board
40 x 30cm
2025
£1,800
€2,100
Night light breeds its own apparition: one lamp throws another into silhouette so that shadow becomes the subject. The room’s hush is doubled by this second, borrowed glow; an intimate proof that absence can be the brightest presence.
Oil on board
40 x 30cm
2025
£1,800
€2,100
An everyday access hatch becomes a study in how looking disciplines perception. The anamorphic ellipse keeps slipping under the eye, turning a minor domestic detail into a quiet puzzle about inside/outside and what a closed container promises.
Oil on canvas
95 x 70 x 4 cm
2024
£5,000
We are a partner of Art Money, helping to make art more accessible.
10 payments. 10 months. No interest! Enquire today.
Cats’ Paws
Mixed Media Sculpture
Dimensions: w.100 x h.130 x d.80mm
Materials: Resin, Single-board computer, TFT display, Li-ion Battery
2024
£2,500
A small electronic object with organic shapes made of transparent pink resin. It displays an oval video of a mountain swaying to the rhythm of a lake's ripples. The facing sun creates reflections on the water while producing a shimmering light halo.
Oil on board
40 x 30cm
2022
£1,800
€2,100
Caught just before installation at Frieze, the shelves hold pure potential. Their playful colour throws tinted shadows that frame emptiness itself. The promise of display reads louder than any object that might fill them.
VESA, an open container
Dimensions: w.47 x h.40 x d.19 cm
Materials: Epoxy & stainless steel
2017
£2,200
A series of monitor stands adorned with flowers and left without screens. Developed during a residency at ArtEZ, the work reflects on support structures and ornament as function in an age of digitisation. Each stand, cast in clear resin that yellows over time, holds space for what is absent.
About the artists
-
David Micheaud’s practice is concerned with the act of looking. Seemingly mundane objects and landscapes are carefully observed over time. Overlooked details become central in paintings that capture the atmospheric tones of light and delicate shifts in colour of the environments that frame them. They appear to be born of a resistance to the typical pace of looking; a desire to slow down and delve deeper.
b. 1980 St Albans, UK
Lives and works in London, UK
2000 - 2001 University of Hertfordshire
2001 - 2004 University of the arts Bournemouth
-
Thomas Pellerey Grogan is an artist based in London whose practice examines the relationship between sensory perception and belonging. By focusing on the residual traces of movement, he explores how certain cues ground human experience within both tangible and intangible places.
French-British (b.1991)
Based in London (UK)2016 MA, The Royal College of Art, London UK
2014 BA, École Cantonale d'Art de Lausanne, Lausanne CH
Please turn your volume up

