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Bo Lanyon’s work explores an entangled landscape of experience. Pushing the boundaries where physical and digital sculpture converge, interconnected navigations of materiality, form and sensation explore questions around our core human desire to connect. The hand is a recurrent motif in the work, being used as a recognisable symbol for the human in a non-specific way, speaking to gestures of connection across or through a space.
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Recent projects include a monumental scale painting commission for the flagship £16 million Moxy Hotel, Bristol, and A St. Ives Legacy, a podcast for Bricks speaking with Mercury Prize nominated musician Gwenno, artists Lucy Stein and Hannah Murgatroyd on painting, the British Modernist tradition and the lasting influence of his grandfather, Peter Lanyon.
Recent solo exhibitions include: The Death of Optimus Prime, Test Space at Spike Island, Bristol (2019); Age of Panic, White Moose Gallery, Barnstaple (2017). Recent group exhibitions include: Tendencies in Painting, London Paint Club (2022), The London Bronze Collection, Squire & Partners, London (2019); The First World War and Its Legacy: Commemoration, Conflict and Conscience Festival, Bristol Cathedral and M-Shed, (2019); Where It Is, There It Is, Auction House, Redruth, Groundwork Programme (2018); Plymouth Contemporary 2017, Peninsula Arts and KARST, Plymouth (2017); Kith and Kin, Falmouth Art Gallery and Museum, Falmouth (2016).
Born Penzance, Cornwall // Lives and works in Bristol, UK