Bo Lanyon | Entanglement (AP)

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Entanglement (AP)

Bronze, Steel

44 x 110 x 18 cm
Edition of 5, 4 remain + 1AP

2021

POA

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Bo Lanyon’s ‘Entanglement’ explores interconnectedness across multiple states of matter, mediums and concepts.  The knot, appearing to form itself in space, resonates as a visceral and symbolic gesture. It suggests the entangled complexity of emotional and physical existence, with its flowing, rope-like forms evoking organic vitality and internal tension, like guts exposed and captured in raw, fleshy metal. The off-human hands, fingernails polished to a mirror sheen, amplify this duality, reflecting and distorting the observer to draw attention to the interplay of self and other, tangible and abstract. The delicate looping gesture signals acts and attempts of connection and bonding.

This version of the work disrupts traditional notions of sculptural completion or finish through the deliberate exposure of its rainbow weld marks - raw traces of the making process that refuse to hide the labour and imperfection inherent in its creation. These marks, typically polished away to achieve a seamless surface in classical sculpture, remain proudly visible here, embodying a resistance to the ideal of a perfected, resolved object. Instead, the sculpture becomes a record of its own entanglement with process, material and thought.

Titled Entanglement, the work invites multifaceted interpretation, encompassing emotional, material, and even quantum associations. It speaks to the simultaneity of connection and separation, where entities, whether particles, people, or ideas, remain intertwined, their actions affecting one another across distances. This encapsulates the ongoing effort to understand and communicate our interwoven lives, both near and far.

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  • Bo Lanyon’s work explores an entangled landscape of experience. Pushing the boundaries where physical and digital sculpture converge, interconnected navigations of materiality, form and sensation explore questions around our core human desire to connect. The hand is a recurrent motif in the work, being used as a recognisable symbol for the human in a non-specific way, speaking to gestures of connection across or through a space. 

  • Recent projects include a monumental scale painting commission for the flagship £16 million Moxy Hotel, Bristol, and A St. Ives Legacy, a podcast for Bricks speaking with Mercury Prize nominated musician Gwenno, artists Lucy Stein and Hannah Murgatroyd on painting, the British Modernist tradition and the lasting influence of his grandfather, Peter Lanyon. 

    Recent solo exhibitions include: The Death of Optimus Prime, Test Space at Spike Island, Bristol (2019); Age of Panic, White Moose Gallery, Barnstaple (2017). Recent group exhibitions include: Tendencies in Painting, London Paint Club (2022), The London Bronze Collection, Squire & Partners, London (2019); The First World War and Its Legacy: Commemoration, Conflict and Conscience Festival, Bristol Cathedral and M-Shed, (2019); Where It Is, There It Is, Auction House, Redruth, Groundwork Programme (2018); Plymouth Contemporary 2017, Peninsula Arts and KARST, Plymouth (2017); Kith and Kin, Falmouth Art Gallery and Museum, Falmouth (2016).

    Born Penzance, Cornwall // Lives and works in Bristol, UK