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Inventory › Aaron Ford | All that you believe is here is now

Aaron Ford | All that you believe is here is now

£1,800.00

All that you believe is here is now

Oil on Glass

43 x 60 cm

2024

£1,800 GBP

Enquire here

Aaron Ford is an artist and researcher who examines how migration affects our understanding of art. Recently, he has used the production, movement, and heritage of the ancient pigment Tyrian Purple across the Mediterranean as a metaphor to explore the power structures in the region throughout history.

By investigating the extractive processes required to synthesise the pigment and its subsequent role as the symbol of Imperial Rome, Ford addresses Europe’s colonial legacy in North Africa, while also recognising the potential of art as a means of agency for the past, present, and future.

In his practice, Ford generates collaborative, discursive research, which he then synthesises in the studio into visual material presented in mediums such as glass, paint, and text. He employs a view of iconographic migration, as outlined by German art historian Aby Warburg, searching for recurring signs or symbols, with the painted image serving as a reference point. His interdisciplinary practice functions as an "observation tower," as Warburg describes it, that looks out over all the migratory routes of cultural exchange.

All that you believe is here is now

Oil on Glass

43 x 60 cm

2024

£1,800 GBP

Enquire here

Aaron Ford is an artist and researcher who examines how migration affects our understanding of art. Recently, he has used the production, movement, and heritage of the ancient pigment Tyrian Purple across the Mediterranean as a metaphor to explore the power structures in the region throughout history.

By investigating the extractive processes required to synthesise the pigment and its subsequent role as the symbol of Imperial Rome, Ford addresses Europe’s colonial legacy in North Africa, while also recognising the potential of art as a means of agency for the past, present, and future.

In his practice, Ford generates collaborative, discursive research, which he then synthesises in the studio into visual material presented in mediums such as glass, paint, and text. He employs a view of iconographic migration, as outlined by German art historian Aby Warburg, searching for recurring signs or symbols, with the painted image serving as a reference point. His interdisciplinary practice functions as an "observation tower," as Warburg describes it, that looks out over all the migratory routes of cultural exchange.

Enquire
  • I am an artist and researcher who examines how migration affects our understanding of art. Recently I have used the production, movement and heritage of the ancient pigment Tyrian Purple across the Mediterranean as a metaphor to examine the structures of power present in the region throughout history.  

    Exploring the extractive processes needed to synthesise the pigment and its subsequent implications as the symbol of Imperial Rome, I occasionally address Europe’s colonialist legacy in North Africa whilst also recognising the potential of art in providing a means of agency for the past, present and future.

    -

    In my practice I generate collaborative, discursive research, which is subsequently synthesised in the studio into visual material presented in mediums such as glass, paint and text pieces.

     I employ a view of iconographic migration as outlined by German art historian Aby Warburg. I search for recurring signs or symbols, with the painted image acting as a reference point. The resulting interdisciplinary engine of my practice acts as what Warburg describes as “an observation tower [that] looks out over all the migratory routes of cultural exchange”. 

  • b. 1994, London, England

     Lives and works in London

    Education

     2013-2017, BA (Hons) Fine Art, Central St Martins, UAL, London

     2012-2013, Foundation Diploma Art and Design, Central St Martins, UAL, London

     Selected Group Exhibitions:

    2024, Home and Away, Gallery 2,Matt Carey-Williams,Seoul, South Korea

    2024, You were kept awake all through the night, British School at Rome, Italy

    2023, Perfect Passive, Xxijrah Hii Gallery, London

    2023, Horizon Line, Andrew Reed Gallery, Miami, USA

    2023, On the edge of fashion, Rose Easton, London

    2022, Tree and Leaf, Hannah Barry Gallery, London

    2021, Triggered Economics or How to Commit to the Inevitable, 34 Bruton Street, London

    2020, WDT 1:1, Wetdovetail, Online 

    2019, Exceptional: The Collyer Bristow Gallery Graduate Art Award, Collyer Bristow Gallery, London

     2019, Four Good Eggs, Brixton Beneficiary, London

     2018, Paper Cuts Kristian Day, Saatchi Gallery, London

    Residencies:

    Sainsbury Scholarship, British School at Rome, September 2023 - March 2024

    Xenia Creative Retreat, February - April 2022

    Events, Panels and Discussions:

    Michael Armitage in conversation with Aaron Ford, British School at Rome, 2024

    Negotiating the Italian Legacy, NABA University and On-Site Roma, Rome, May 2024

    CRIT #33 Public Programme, CASTRO Projects, Rome, Jan 2024

    Introductory Lecture, British School at Rome, Oct 2023, Jan 2024 

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